Sunday, October 20, 2019

Lines Written in the Days of Growing Darkness




I've returned to this poem every fall for probably five or six years now. Summer is my favorite season, and autumn is bittersweet. This year is no different, maybe even more-so because it has been a joyful year and I'm sad to see it drawing to a close. The first few leaves are falling to the ground and my two remaining best friends in the area are moving to Tulsa and to Germany. I haven't found another piece that gets at this sharpness as well as Mary Oliver's "Lines Written in the Days of Growing Darkness." I actually wrote my previous post just after sifting through this poem.


Lines Written in the Days of Growing Darkness

by Mary Oliver

"Every year we have been
witness to it: how the
world descends
into a rich mash, in order that
it may resume.
And therefore
who would cry out

to the petals on the ground
to stay,
knowing, as we must,
how the vivacity of what was is married

to the vitality of what will be?
I don’t say
it’s easy, but
what else will do

if the love one claims to have for the world
be true?
So let us go on

though the sun be swinging east,
and the ponds be cold and black,


and the sweets of the year be doomed."


>>>
Tabitha and Jamie,


I am happy for you as you leave in the same way I am happy the leaves are falling. I have no doubt it is what you are supposed to be doing. That the result will be hard-won growth after a time that may be dark and difficult. As Mary sums up so well, "I don't say it's easy, but what else will do if the love one claims to have for the world (and for one's friends) be true?" Our time together in NWA was longer than I dared hope for and I am grateful. I enjoy our quirky keeping in touch through all manner of things--Pinterest and Instagram and Marco Polo videos and snail mail and random pictures and Amazon packages and messages that start with, "Hey, remember when?"


I'm proud of you and I love you very much.








Thursday, October 17, 2019

That Which Belongs to Both



A first draft poem that finally sums up what I've felt a long time about autumn. Unlike almost everything else I've ever written, it pieced itself together in a matter of minutes. I'm happy with it for now.


That Which Belongs To Both

The crisp green that belongs to both 
fall and spring is at the tops of the trees. 
Have you ever noticed that spring spreads 
from the bottom up, as fall does from the top down?
As if each lives out the verb with which it shares a name.
A certain few weeks each year, 
a photo can’t capture whether or not 
the green is coming or going. All looks the same, 
like pictures of sunrises and sunsets—I never could tell them apart. 
Something about that sameness 
in ending and beginning is comforting, I think.